Author Interviews

Loretta Marion‘s affection for the written word stared in childhood and has continued to this day, Her Haunted Bluffs Mystery Series is set on Cape Cod. Storm of Secrets is the second book in the series. 

Cape Cod love

“I love Cape Cod and have been visiting for years,” Loretta said. “My escapes on the Cape have always been my most fertile writing times, so it made sense for me to set a book in a location that was both special and familiar to me.”

The first book in the series, House of Ashes, was inspired by a bicycle ride Loretta took with her husband on the Cape Cod trail. “I was struck with this idea of a couple going for a bike ride and never coming back but leaving all their personal items behind – including their dog. From that seed the idea of a mystery began to germinate.”

Loretta added that the story involved a small town which becomes somewhat of a character itself. “I began to create in my mind the fictional town of Whale Rock. I also like to write the evolution of female characters, though I can’t recall exactly how Cassandra Mitchell and her story of woe popped into my head. The Bluffs, the grand Victorian she inherited from her family, is haunted by the spirits of her great-grandparents who were the original owners of the home. They died in a tragic fire after suffering many great losses attributed to a century-old curse that continues to plague the Mitchell family. The inspiration for the house being haunted came from my own personal experiences.”

A real life mystery creates inspiration

Loretta said, “Writers do a great deal of research, and in my explorations, I came upon a true unsolved mystery about the body of a young boy found in a box in the Pennsylvania woods. In the more than fifty years since the discovery of the body, the Boy in the Box case has never been solved and the boy has remained unidentified. I was so moved by this unclaimed boy’s story that I knew I needed to find a way to include it in some way in one of my books.”

Initially, the true story was part of the resolution to the first book. However, when the book was acquired by Loretta’s publisher, they decided change the ending. “There is a brief mention to Barnacle Boy in House of Ashes – inspired by the true story – the young child who washed up on the shores of Whale Rock decades earlier. In my mind, Barnacle Boy’s story was always going to be a significant part of the second book. When it came to writing that aspect of the book it was no longer appropriate to include the real-life account. I wrote a historical story that was inspired by it instead, only making a quiet reference to the true story in the book. This is interwoven into the present-day story that includes a mirrored reference with a child that goes missing during the chaos of a severe tropical storm. That is how the book evolved…without giving anything away! Readers will learn what happened to Barnacle Boy those many decades ago as well as the fate of the child who disappeared. Added into those interwoven mysteries is a suspicious death that points to murder.”

A writer’s motivation

“I think what is most important for readers to understand about me is my motivation for writing,” Loretta said. “I do not write for fame or fortune, but for the simple desire of bringing readers the pleasure of an unexpected journey. That is what I most enjoy about reading, and if I can offer that same indulgence of escape in my writing, then I am deeply rewarded. I also write for personal enrichment. Creating with words is my greatest luxury. Sometimes I pinch myself, disbelieving I’m even permitted to do this.”

Loretta added that she did not have a life-long ambition to be an author. Her journey began later in her life and evolved from the unexpected world of Hospice.

“A few years following my breast cancer diagnosis and treatment, I decided to show my gratitude for a second chance by becoming a Hospice volunteer. It was through that meaningful and eye-opening experience that I discovered a buried desire to write a book, possibly to prove my relevance or to leave a legacy behind when I would be gone from this world. Regardless the reason, it was my brave hospice patients who inspired me to tiptoe into the uncertain world of publishing.”

Meaningful coincidence

“Not to get too philosophical,” Loretta said, “but there always seem to be these Jungian moments of “meaningful coincidences” that arise while I’m writing a book. I take them as little messages from the universe that I’m on the right track.”

Loretta feels fortunate that her editor is respectful in acknowledging that ultimately the ownership of the books is the author’s. “I have been equally respectful of her experience and wisdom and always remain open to her excellent suggestions, which help make the books even better. For example, it was hard to let go of the original ending of House of Ashes, however, I’m very pleased with how Storm of Secrets evolved, which never could have happened if I had kept the original conclusion to the first book. Challenges force us to find a way around them, and often the rewards are great when taken to an even better destination. (Okay, now I am pushing the philosophical envelope!)”

Learn more about Loretta at lorettamarion.com.

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Connie Berry says she was raised by charmingly eccentric antique collectors who opened a shop, not because they wanted to sell antiques but because they needed a plausible excuse to keep buying them. Connie adores history, off-season foreign travel, cute animals, and all things British. A Legacy of Murder is the second in her Kate Hamilton Mystery series.

The Agatha Christie influence 

“Like many mystery writers, I discovered Agatha Christie in my early teens—then the other authors who wrote during what has been called ‘the Golden Age of Detective Fiction.’ I was hooked. As an author, I want to pay homage to the traditional amateur-sleuth mystery—but with a modern spin. My first book, A Dream of Death, takes place on a small island, cut off from the mainland by an early winter storm. My second, A Legacy of Murder, is a version of the classic village mystery. The solutions, I hope, will be both surprising and satisfying.”

Past and present collide

Connie said that she loves traditional mysteries set in the British Isles. Her first book, A Dream of Death, takes place in the Scottish Hebrides. The second, A Legacy of Murder has the same main characters but is set in Suffolk, England. Both books deal with the influence of the past on the present. “Because my protagonist is an antiques dealer and lives with objects of the past every day, she knows that today is only the top layer of a deep and complex history that lives on, whether we perceive it or not.”

Some years ago, Connie I was researching an article for a scholarly journal. “I wanted to locate a particular farmhouse from pre-Civil War times. Unfortunately a super highway slashed through the area, obscuring all the old landmarks, and I was afraid the house had either been demolished or was hopelessly lost. As a last resort, I got off the highway and followed the geography recorded in a gazetteer published in the mid-1800s. When I crossed a creek, no more than a squiggly line on an old map, I knew I was headed in the right direction. And there was the house, still standing. It felt like time travel. The past lives on, affecting our lives for good or ill. Nowhere is that more true than in the U.K. Someone once said that history in the British Isles is never more than an inch deep. That’s the underlying thought that informs my novels.”

The value of history

Like my protagonist, Kate, I was raised in the high-end antiques trade. My house was filled with objects of the past—from the furniture in our living room to the dishes we ate on every day. I asked my mother once why we couldn’t have new furniture like everybody else. ‘Our things have a history,’ she said. ‘So much more interesting, don’t you think?’ That line made it into my first book, spoken by Kate’s mother.

“From childhood I learned to value history—and since all four of my grandparents were born in Europe, I’ve had plenty to think about and research. Several years ago I located my family farmhouse in Milltown, County Kerry, Ireland. There was the box hedge and the ivy, just as it had been in the 1880s. I knocked, showed the elderly woman who opened the door my old photograph of the house, and she invited me inside to look around. It was March, and the day was damp and cold. She and her husband lived in the huge old kitchen, in two rocking chairs around the ancient Aga cooker. Those are the kinds of experiences I cherish. We all have a past. Sometimes that past is lovely and nostalgic. Sometimes it hangs around our necks like the proverbial albatross. Either way, we can’t escape it, but how individuals and communities deal with the past provides the plot lines for my books.”

A love of foreign travel

“One of the joys of writing mysteries set in another country is going there. I’ve spent lots of time in the British Isles, first as a student at St. Clare’s College, Oxford; then as a frequent visitor. My husband and I travel to the U.K. once or twice a year. Last autumn we leased a restored fourteenth-century weaver’s cottage in the historic Suffolk village of Lavenham. While the locations I write about are fictional—the Isle of Glenroth and the village of Long Barston—they are based on real places, and I’d like to think that people who live there might recognize them.”

Connie recalled the last time she and her husband were in Scotland. They were staying in a Scots’ Baronial country house hotel in the Highlands. “I was plotting my second book at the time and got to wondering if it was possible to gain access from the house to the roof. I asked the hotel manager, and he was delighted, not only to show me the access point but also to allow me to scramble up there and get a feel for what it’s like four stories up on a slippery lead-lined roof with no parapet. And a fear of heights. That scene made it into the book—and it’s absolutely real.”

Learn more about Connie at connieberry.com.

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